Presentación

Una larga trayectoria

BAI, Centro de Formación Escénica de Bizkaia, organiza el ACT, Festival Internacional de Escena Corta desde el año 2004, que se celebra durante el mes de junio en Bilbao y Barakaldo.

ACT pretende ser un punto de referencia, no solo profesionales del área, sino también para el público en general. Abierto a las nuevas tendencias escénicas ACT programa y promueve la formación, la interrelación internacional y las nuevas creaciones en este campo.

ACT es una plataforma de lanzamiento de artistas emergentes, por ello promueve su sección a concurso, así como el encuentro y el intercambio entre sus participantes. Además del programa de actuaciones a concurso y exhibición, y el programa pedagógico, el festival procura ofrecer espacios en los que poder conocer y compartir experiencias en un ambiente distendido, como son las comidas, cenas y noches del festival.

Todo esto conforma un espacio de encuentro que ha ido evolucionando año tras año hasta esta doceava edición de ACT 2016. Cada año ACT Festival acoge a unos 100 profesionales del sector y proporciona alojamiento, comidas (comida y cena) y acceso a todos los eventos del festival a sus participantes.

There are 6 comments

  1. Pablo

    Hola! Somos de Argentina y nos gustaría participar del Festival!
    Nos pueden mandar las bases? Gracias!

  2. TransLímite AE

    HOLA, SOMOS UNA COMPAÑIA DE TEATRO DE MEXICO: TransLímite AE , Y QUEREMOS SABER DONDE ESTA EL FORMATO ? O REQUISITOS PARA ENTRAR A LA CONVOCATORIA DE SU FESTIVAL.

    SALUDOS!

  3. Tymofij Binjukov

    Theatre company – «Variant» («Варіант»)
    Ukraine, Kharkiv city

    Perfomance “Mauno”
    Based on the dramatic monologue Andrus Kivirähk “Chicken of the primer”

    The premiere took place on June 1, 2016 in the Kotlyarevsky University of Arts

    Genre – Tragicomedy, a solo performance
    Сhronometry 85 min

    Director by Tymofij Binjukov

    Soundtrack by Ludovico Einaudi

    The link to the review of our performance http://timeua.info/post/kultura/mauno-sentimental-naya-progulka-po-lezviyu-nozha-04100.html#.

    Video: https://cloud.mail.ru/public/HSzo/2uFvaduFa
    Promotional video: https://cloud.mail.ru/public/9ACf/Hj2FHnHzL

    Specifications:
    This is a chamber play, for a small audience and on a small stage. The light should be simple, white, minimal and it ‘s necessary to shine a space about 6 squire meters. The sound equipment is not necessary. Music will be switched on by an actor. We need simple chair with a backrest. It’s important that the actor should be able to put head between backrest and sitting place.
    The stage should be on the same level as audience, without rise, because the actor will contact with the audience.

    Summary:
    Our cities are enormous. They are thousands of houses and hundreds of gardens . In every garden there live people who are rushing to work, come home, swearing in an apartment, kissing on the playground, always go somewhere, and constantly rush-rush-rush and among them there is a guy names Mauno. He was not in a hurry, he has nowhere to hurry he spent whole days at his window. The city scares him he does not know what is on the outside of his court, but he knows what’s going on in the garden. He knows everyone, it helps in the work. Before coming to town Mauno lived in a small village in a cozy house with his grandmother, but this life was not easy. Mauno mentally retarded. He endured a lot of injustice and ridicule. After the death of his grandmother Uncle Paul took him to the city. Uncle Paul became an advocate and mentor of Mauno.
    Paul’s uncle gave him a job, but not quite normal. Mauno has a good memory, he can perfectly remember people, where they go, when they return, go there for the night and how long they are absent and whether they buy something new and expensive. This is his job – to remember and to inform Uncle Paul in time about it, so he could easily rob their apartments, Mauno also received small presents from burglary flats, but it is often trinkets. And one night, Uncle Paul did not come alone, he dragged the corpse to preserve one day. “How did this man die?” – Asks fearfully Mauno, “It so happened” – responds with indifference Uncle Paul. Mauno is scared, he understands that they are doing dirty deeds, but he is well learned to negotiate with his conscience: “Even though we are poor people, but also want to live.” Mauno is still the good guy who wants “under the wing”, because there has to be very warm and good under the wing. Little life of the little man on the backdrop of a huge world.

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